Featured Posts

Latest Posts

20

Why One Descriptor Is More Than Two

By K.M. Weiland | @KMWeiland

This week’s video demonstrates why less is usually more when it comes to descriptions, character actions, and more.




Video Transcription: In our desire to make our scenes come to life for our readers, it’s often tempting to throw onto the page as many tantalizing descriptions and vivid metaphors as we can think of. If one vibrant image is good, then two should definitely double our money, right? Ironically, however, just the opposite is true. As Jane Lebak, author of Seven Archangels: Annihilation and The Guardian, once pointed out to me, Sometimes 1+1=0. Two is bad. Give the reader one thing to concentrate on. Pick the better of the two.

I stumbled across a good example of this in a recent reading of a young adult book. In it, the author describes the vivid nightmare of a dying World War II vet, who dreams that while in the middle of battle, his body starts to fall apart. The author writes about the “body breaking into tiny bits, crumbling off his trunk like cheese being grated from a slab—or like a leper, unraveling.” Her first image, of the cheese grater, is a marvelously powerful bit of writing that conveys her meaning perfectly. But the tacked-on second image of a leper adds nothing to the scene and, in fact, only detracts from the power of the first image. It’s almost as if the author were afraid her readers wouldn’t get the first description, so she threw in a second as a safety net.

The strength of vibrant images is that they are capable of standing alone. If it needs propping up with a second or third description, then it probably isn’t that vibrant to begin with and needs to be rewritten. Trust your readers to get what you’re saying the first time around—and enable your word pictures to stand on their own by remembering that, often, less is more.


Related Posts: Metaphorically Speaking

Details: Bringing Fiction to Life

Describing Characters

Bookmark and Share

Story by K.M. Weiland

Tags: Description , Metaphors

20 comments

  1. Christine Danek May 5, 2010 4:53 AM

    Very informative. Thanks!

  2. Jenn May 5, 2010 6:36 AM

    Thanks for the good advice!

  3. ElegantSnobbery May 5, 2010 8:54 AM

    That was excellent! Thanks!

  4. K.M. Weiland May 5, 2010 9:28 AM

    Glad you all enjoyed it!

  5. Lorna G. Poston May 5, 2010 11:06 AM

    Excellent post! I'm trying to keep this in mind as I write the next chapter in my WIP.

    You made a good point about the leper description taking away from the the (much better)cheese grater image. Good advice.

  6. K.M. Weiland May 5, 2010 11:15 AM

    It's a good way to slim your word count too!

  7. Angela May 5, 2010 12:00 PM

    Great vlog post, and so very true. Less is almost always more.

  8. K.M. Weiland May 5, 2010 12:01 PM

    We so often think we need to pad our words, but it's amazing how sleek and fast they are when we cut the dead weight.

  9. Lorna G. Poston May 5, 2010 12:04 PM

    Ha! My problem has never been too many words. I suffer from not having enough and I struggle to reach a decent word count.

    Maybe you can blog or vlog on that topic and explain how to do that without adding too much description, unnecessary fat, or veering away from the purpose of the story.

    Just a thought. ;)

  10. K.M. Weiland May 5, 2010 12:09 PM

    I'll definitely keep it in mind, but since it's a not a problem I've ever personally encountered, I don't feel qualified to expound on it too much.

  11. Philangelus May 5, 2010 12:47 PM

    Thanks for the mention!

  12. Kelly Freestone May 5, 2010 1:04 PM

    Thanks for the help!

  13. K.M. Weiland May 5, 2010 1:17 PM

    @Philangelus: My pleasure!

    @Kelly: Glad you found it helpful.

  14. Annie McMahon May 6, 2010 9:03 PM

    Very true. Using too many metaphors or similes is like putting too much salt in a dish.

  15. K.M. Weiland May 6, 2010 10:52 PM

    Good comparison. Salt is great; metaphors are great. But overuse either and the dish is spoiled.

  16. Tabitha Bird May 7, 2010 6:21 PM

    Wonderful. Thanks for this :)

  17. Lorna G. Poston May 7, 2010 6:38 PM

    Cops can tell if a suspect is lying by how hard he/she tries to convince the cops they are telling the truth. The more details the suspect adds, the more suspicious the cops become.

    Maybe writing is like that too. Is the author saying, "Do you believe me, huh? Do you?"

  18. K.M. Weiland May 7, 2010 7:05 PM

    @Tabitha: You're welcome. Thanks for stopping by!

    @Lorna: Fabulous comparison! I'll have to remember that.

  19. Erica Chapman May 9, 2010 9:49 PM

    Excellent, as always. It's funny, I just read the YA book you were quoting and I thought the same thing ;o)

  20. K.M. Weiland May 9, 2010 10:50 PM

    Great minds think alike and all that! ;)

Leave a reply











Does your story hook readers on the first page?

  • Free E-Book

      Free e-book: Enter your name and email address to receive email updates and claim your free copy of the 50-page e-book Crafting Unforgettable Characters: A Hands-On Guide to Bringing Your Characters to Life.





  • My Books

  • Receive Blog Updates via Email

      Enter your email address:

  • Like Wordplay’s Posts?

Labels

backstory (14) beginnings (28) Characters (86) conflict (21) Creativity (35) Description (26) dialogue (26) Editing (22) endings (11) foreshadowing (11) genres (5) Grammar (12) Inspiration (55) names (8) narrative (23) Originality (10) outlining (13) pacing (10) Plot (18) pov (12) premise (4) research (15) rewriting (4) Setting (20) style (16) Theme (18)

Blog Archive

  • Wordplay Badge

      Copy this code to add the Wordplay badge to your site!